Updated July 2024 for clarity and to remove anachronisms. Prices updated.
This is the third in a series of articles on choosing external microphones for portable digital recorders. Part one discussed why we might not wish to use the built-in mics on our recorder and part two was an overview of microphone types plus power and cabling requirements.
Now is the time to fix your objectives in mind. Are you recording lectures or community meetings? Are you gathering dialogue for a video? Are you conducting interviews in the street? Are you recording live concerts or your own band in rehearsal? Are you making nature or soundscape recordings?
I will discuss each use case and recommend microphone types (dynamic, condenser, electret, boundary), polar patterns (omni, cardioid, shotgun), and power requirements. Specific tried-and-true microphone models will be mentioned as a starting point.