Earlier this year I was invited to be part of radioCona, the "temporary project radio for contemporary arts" that is based in Ljubljana. Starting this Sunday, for five days, radioCona will broadcast on the FM bands, starting exactly at nightfall. "This is the time when the atmosphere is no longer filled with the fine sunlight, when the sun reaches 18 degrees or more below the horizon."
My composition "Caged Birds (Augmentation)" will be heard Monday. This is based on a dawn chorus, but there is something nice about it being transposed to the night-time. I believe that this is now the fifth country in which this composition has been presented.
L'Antic Forn means "old bakery", which is pleasing from the get-go. Bread is essential. Crusty, fluffy white rolls that go stale in a couple of hours, so you know they are not made with junk. That's something I cannot get in Ireland, so I do not eat bread when at home.
From 28-29 August I was in the east of Ireland, at the newly branded Maynooth University for "Audio Fabric: Socio-sonic Textures in the Real World", the annual convocation of the Irish Sound, Science and Technology Association (ISSTA). Every year since its inception I have followed this conference around the country. Indeed, I may be the only person to have presented at every session. My paper was "Field recoding - phonography and the creation of place". The rest of my time was taken up listening to the other contributors, seeking out the best pub in the (rather small) town, chatting with locals about history, recording the quiet corridors of a seminary, and getting trapped on private grounds (I escaped eventually).
2014 was also a significant year for Susannah, who accepted a month's residency in Barcelona to develop her interest in graphic art. She produced an intriguing time-lapse photo series for the group show. I was lucky enough to visit for a week, and captured this view of her studio.
And I took photographs of it all.
So here, in pictures, is a chronology of my 2014.
As someone who creates every day of my life, I rarely spend much time on music consumption. When I am asked what I listen to, it's often easier to say "Actually, I don't listen to music" than to explain the variegated form my listening actually takes. There's a jungle of sound out there, sometimes literally.
I have been in more than one sonic jungle this year. Let me take you on a short tour.
I will give you but one example of such a list; to provide more would be to encourage depression. Drowned in Sound manages to be a popular music site by pandering to both Taylor Swift fans (she's at #3) and those who can bear the Swans in 2014 but would have run screaming from them in 1983 (#10).
Though their musical choices are dull, I remain interested in their name, which attempts to be both world-weary (there's so much music that we are "drowned") and all-encompassing (notice it is "sound" not "music"). Of course their name is just a pose. There is nothing outside a fairly narrow range of pop music on their charts, certainly nothing in the way of sonic art. Perhaps they are emo. Perhaps they are hipsters. I don't know, since I don't understand these terms. (But I have a comments section below, for those who wish to help.)
Looking back at my own purchases, I see that I obtained exactly one album dated 2014. It's a good album, even if it is not a career best from the artists in question. I am safe in saying it is more deserving of your time than the Drowned in Sound Top 50. So here it is. A drum-roll please.
My Top 50 Albums of 2014...
Welcome to Part TwoIn part one of this article I gave some introductory justification and offered a series of images that would help you compare the very different fields of view (FOV) these lens present. I will next discuss the available prime lenses in five categories, from widest to narrowest. I will relate the focal lengths back to "full frame" as a useful standard.
For each I will indicate the lowest price, taken from Amazon UK and SRS Microsystems, so that those of you in Europe have a good baseline for comparison. I should note that I generally buy on the used market, and have therefore completed my lens set at a significant discount.
My criteria include price, aperture (f/2 or better), weight, size, and image quality.
The Micro-Four Thirds (MFT) camera format has proven to be very popular. The cameras are small enough to be portable and the sensor large enough to take excellent images. A sensor half the size of 35mm film turns out to be a good compromise. Olympus has known this for some time; their original PEN film cameras took "half frame" shots. (35mm is often called "full frame" and I will retain this nomenclature.) The Digital PEN and OM-D line continue this heritage.
Certainly I am a convert, having moved from the Pentax APS-C sensor format. Pentax have some decent DSLR cameras but several lens price hikes ruined the value proposition. They also fumbled the ball badly when it came to the mirrorless revolution. Possibly only Fuji "get it" in the same way that Olympus/Panasonic do -- a well-designed mirrorless system offers enormous practical and photographic advantages over mirror-based tech.
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