It's back for its second year, bringing all manner of inventive and energetic films to Limerick. The Light Moves festival of screendance is not simply focused on films that illustrate dance, but rather on the many ways in which movement can be creatively expressed in film.
Most of the events take place at Dance Limerick, 1-2 John's Square. The church is used for the screenings and seminars. The studio on the opposite side of the square houses the installations.
I'm very proud that my film "Methods of Hypnosis" is one of them. It's being presented with a first-class projection and sound system, so I cannot wait to see it! You can drop by the studio between 10am and 8pm Thursday and Friday only, to check it out.
A woman is wrapped in a blanket by four strangers. Couples with broken arms partner on a dance floor. An unconscious young man is disengaged from a steering wheel. "Methods of Hypnosis" reveals strange choreographies hidden in public domain footage. Repeated patterns of behaviour. A path traced out over time. Social relationships exercised. Place in the process of formation.
I will also be giving a talk and screening on "The music video experiments of Angela Conway", as part of the Friday Symposium. I'll be talking about her work as musician, choreographer, and videographer, which arose out of associations with the group Wire and the Michael Clarke Company.
Let me introduce my newest website, MIA. This stands for media + inspiration + art.
It's a blog, a curated collection of creative approaches to technology and aesthetics.
There I will be posting links to fascinating projects that might be related to courses I teach at the University of Limerick. Or might not.
I won't be passing much comment, but instead hope to give you a daily dose of inspiration. It will become a repository for ideas I think are particularly worthy.
Check it out, and subscribe via email, RSS, etc.
It begins with a juddering of a window being buffeted in the wind, and then we are sucked out into a squall, wind swirling about us. To lock out the gale we slam doors closed, slide bolts on their supports, and latch squeaky shutters. Thunderous impacts alternate with the howling gale in a procession of inside/outside, far/near, dissipation/intensification.
Literally and figuratively "Bourrasques" is an opening. It's a stunning way to commence Matins d'Ariège, a new release by Stéphane Marin. For two years Marin gathered sounds in the village of Fabas, embedded in the Pyrénnées Ariégeoises region of France, using mostly binaural and contact microphones.
My last article assumed quite a lot about the reader's knowledge regarding the Eurozone Crisis. It at least took for granted that the reader's attentive intellect had pierced the veil of propaganda surrounding this issue. Here I collect supplementary references. This is for those who still need convincing, or for those who want a handy place to send others.
Since this is a current event, the information is time-sensitive. Already it is in the past. Or at least it is framed that way by a news media that hops from one crisis to another. But the situation continues; people have to live with it. And the forces that generated this crisis are still at play. The same will be done again.
Here are the results of a microphone test I performed with some compact electrets and my small Olympus recorder. Read on for a description of the test. Download the files (link near the end) so you can reach your own conclusions. I trust this will be of value for those making similar decisions.
The UK has been doomed since the Second World War, which the country lost to the USA. Recall that rationing only formally ended in 1954, and had repercussions far after. (See "Government Cheddar" for an intriguing history.) The country now has no basic industry or sustainable means of economic existence, instead relying on two mechanisms for survival. It is these that define the contemporary "empire".
Sonic Vigil is a group durational improvisation, held annually in Cork. See my last post for a list of the organisers and this year's participants (some of whom I will picture here). In this article I will describe my approach to improvisation in general, and this event in particular. This will lead into technical discussions to be posted later.
Saturday last saw an incredible crew of musicians and sound artists gather in Cork, for the ninth annual Sonic Vigil. This six hour event is scheduled by a computer programme, so that every musician plays for a total of one hour, but doesn't know in advance who will be playing with them. Attentive listening and great sensitivity in sound production is required for this to work in any way, shape, or form.
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