What do flowers say about your photography gear?
It's all good. Stop chasing more equipment. What you have is fine.
They say: F4 and be there.
And: Aren't we pretty?
With the punchline out of the way, I'll explain in some detail.
What do flowers say about your photography gear?
It's all good. Stop chasing more equipment. What you have is fine.
They say: F4 and be there.
And: Aren't we pretty?
With the punchline out of the way, I'll explain in some detail.
Buying headphones is confusing since there are dozens of manufacturers and hundreds of models. The popular style brands (e.g. Beats) promoted to the mass public are consistently over-priced, badly made, and terrible-sounding. The high-price models promoted to audiophiles cost far more than you need to spend.
This article is for people who record, mix, and compose music. It's for listeners who need to hear what their music actually sounds like, without embellishment or false augmentation. For you my decades of experience will come in handy!
It would be presumptuous for me to call Günther Berkus a friend, but he was sometimes a collaborator (in live improvisations) and our paths crossed regularly. On meeting we'd talked passionately about various music technologies. Indeed, for several years our techniques ran in parallel, for example our explorations of Max/MSP.
When Berkus (as he preferred to be called) began work using the voice of W.S. Burroughs (released in 2014 as Pay Back Your Stolen Colours), I referred back to my own generative exercises using Burroughs texts, conducted in the nineties. And by coincidence I was simultaneously revisiting the voice as sonic material for The Absence of Baudrillard. In such ways our interests threaded.
Original works on this site are © 2005-2021 Robin Parmar.